- ? And The Mysterians
- Adele
- Anastacia
- Anne Murray
- Arthur Lyman
- B J Thomas
- Bah Samba
- Barry Manilow
- Basia
- Beach Boys
- Bette Midler
- Bill LaBounty
- Bill Medley
- Billy Joe Royal
- Blessid Union Of Souls
- Bobby Caldwell
- Bonnie Raitt
- Boz Scaggs
- Brian McKnight
- Brian Setzer
- Carl Douglas
- Chilliwack
- Cindy Morgan
- Cleo Lane
- Climax
- Cupid
- Dan Hartman
- Dave Hollister
- David Ball
- David Essex
- Diana Krall
- Dickie Lee
- Dobie Gray
- Ed Townsend
- Edward Bear
- Everly Bros
- Four Jacks And A Jill
- Four Seasons
- Gerry and The Pacemakers
- Hall and Oats
- Henri Mancini
- Howard Jones
- Hugo Montenegro
- Ian Thomas
- Incognito
- James and Bobby Purify
- Jennifer Lopez
- Jimmie Rodgers
- Jimmy Nail
- Josh Groban
- Juice Newton
- Karise Eden
- Kelly Clarkson
- Lady Gaga
- Leon Russell
- Leonard Cohen
- Lisa Stansfield
- Lovin Spoonful
- Mamas and Papas
- Manhatten Transfer
- Mantronix featuring Wondress
- Marcia Griffiths
- Michael Buble
- Michael Franks
- New Edition
- Nicolette Larson
- Nsync
- O C Smith
- Pink Martini
- Prefab Sprout
- Raul Malo
- Ray Stevens
- Robert Cray and Keb Mo
- Robert Plant and Alison Krauss
- Robin Thicke
- Royal Crown Revue
- Sade
- Sammy Davis Jr
- Sarah Washington
- Serendipity Singers
- Shawn Cassidy
- Simon and Garfunkle
- Tania Maria
- Terry Black
- The Monkees
- The Poppy Family
- The Stampeders
- Three Dog Night
- Tom Middleton
- Vic Damone
- Wind featuring Tony Orlando
Pop MIDI Files
The term “pop song” is first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music.
According to Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced …”. The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical music, usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc.” Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll’.” Chambers’ Dictionary mentions the contemporary usage of the term “pop art”; Grove Music Online states that the “term pop music … seems to have been a spin-off from the terms pop art and pop culture, coined slightly earlier, and referring to a whole range of new, often American, media-culture products”.
From about 1967 the term was increasingly used in opposition to the term rock music, a division that gave generic significance to both terms. Whereas rock aspired to authenticity and an expansion of the possibilities of popular music, pop was more commercial, ephemeral and accessible. According to Simon Frith pop music is produced “as a matter of enterprise not art”, is “designed to appeal to everyone” and “doesn’t come from any particular place or mark off any particular taste”. It is “not driven by any significant ambition except profit and commercial reward … and, in musical terms, it is essentially conservative”. It is, “provided from on high (by record companies, radio programmers and concert promoters) rather than being made from below … Pop is not a do-it-yourself music but is professionally produced and packaged”.
This excerpt is from http://en.wikipedia.org/wiki/Pop_music